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Simic translations help unearth another gem.

Best book on the ancient people of OldPrussilandThe unique sounding language in the mysterious land, cleansed of most of its native population 1945/49 is now only heard occasionally in scattered parts of the world.
Strangers were moved in and took over the 800 year old Hansa cities with the E.T.A. Hoffmann Nutcracker charme .
This book should be translated into English to give the large English Speaking public an inside glimpse of this enchanted land.


Some 15 essays, at least half of them outstanding.

Very ordinary and good scientific bookEnn Kaljo "Kuldaeg" publishers Estonia


A lucid explanation of a perplexing historical event

Groundbreaking research on European History

A brief overlook at the Balkans

Dramatic Image from Balkan PeninsulaWithin the Balkan Peninsula, the borderline between countries is so blurred, where the mindset of people may be still not separable from their history. We can see uncountable traces of their history, where their struggle continues today.
In the beginning, I was attracted by the cover image, like a monster with children. The strong visuals are so dramatic, across the contenients of countries with no border.


A Unique Look at a Perplexing Conflict
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However, perhaps the best comparison is not to Simic but to Czeslaw Milosz. Like many of Milosz's best poems, this book makes the most sense as a reaction against relativism, both moral and aesthetic. (Compare, for example, Ristovic's "Genesis according to the rules of universal poetics" with Milosz's "One More Day" in /Unattainable Earth/.) The discontentment, fear, and terror that follows when subjective will denies objective values finds expression in many of these poems, of which the best include "Purgatory" and "The essential." Chilling is Ristovic's statement that "fake evidence passed off as truth" is a thing "a dead man could be interested in."
Much of the humor Ristovic delights in follows from the absurdity of mixing the noble with the profane: In "Lavatory theatre," for example, Greek tragedy and the bathroom occupy the same dramatic space. But Ristovic never blurs the distinctions. The readers in the "Lavatory library" are those "for whom / Dante's or Homer's verses / and the writings of some scribbling nobody / have equal value."
In his introduction, Simic notes, "Many twentieth-century poets have believed in angels, but Ristovic may be the only one who believes in the devil." He appears to have put his finger on what makes these poems creep off the page in such a chilling and authentic way.